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Krautjazzrock produced by JJ Whitefield (Poets of Rhythm/Whitefield Brothers). The long-standing band’s third album. Featuring Marja Burchard (Embryo).
Krautjazzrock produced by JJ Whitefield (Poets of Rhythm/Whitefield Brothers). The long-standing band’s third album. Featuring Marja Burchard (Embryo).
Non Ex Orbis, the band’s third studio album, digs deeper into the Krautrock history embedded deep in the soil of their native Munch – three of the most influential bands of the 1970s experimental German rock scene spurng from there: Amon Düül, Popol Vuh and Embryo.
It’s been over ten years since Karl Hector and the Malcouns’ Sahara Swing saw release on Now-Again in 2008. The album swung with influences from across the African diaspora and set the stage for a cult, but influential following. Hermes designer Christophe Lemaire picked tracks from Karl Hector and The Malcouns as amongst his favorites in the Now-Again catalog, and included them on his Where Are You From anthology. Festival promoters intrigued by the possibility of resurrecting the careers of once forgotten African mavericks – from Ghana’s Ebo Taylor to the progenitors of Zambia’s Zamrock scene – brought Hector and crew across Europe playing festivals for ecstatic fans. Producer JJ Whitefield even founded an Afro-Rock band, Johnny!, with Taylor’s son Henry.
Unstraight Ahead, their sophomore release from 2014, found the band exploring territories even outside of the expansive scope of Sahara Swing: West African sounds of Ghana and Mali met the East African sounds of Mulatu Astatke’s Ethiopian jazz, tied together with the groove heavy experimentalism of The Malcouns’ 70s Krautrock godfathers: Can, of course, but also more obscure and equally adventurous groups like Agitation Free, Ibliss and Tomorrow’s Gift.
“We look to Middle Eastern funk and psychedelic fusions, and to various ethnic records for sound and phrasing,” Whitefield stated at the time of Unstraight Ahead’s release. “We’re trying to combine the global experimentalism of Krautrock with the backbeat of funk.”
Influenced by these musical heroes, producer JJ Whitefield shapes a sound that takes the experimental approach of the classic Krautrock era and slides between beat-heavy drone and spacey, prog-rock suites. Marja Burchard, daughter of Embryo mastermind Christian Burchard, fronts the group on keyboard, vibraphone and other-worldly vocals. Al Markovic joins longstanding Malcoun Zdenko Curilija to round out the ensemble.
Non Ex Orbis, read by Whitefield and the band as Out Of This World, symbolizes an innocent way of composing and improvising music, free from the influences of our contemporary environment, preserving a childlike way of hearing sounds in their unfiltered purity. “Some will classify this as a retro, but for the band it simply is a form of creating, Whitefield states. “We’re drawing from an established musical vocabulary which was popular at a time in Germany, when underground musical culture had its creative peak,.“
credits
released May 15, 2020
Art Direction – Errol F. Richardson
Drums, Backing Vocals – Zdenko Curulija
Electric Bass – Al Markovic
Guitar, Synthesizer [Moog Prodigy], Backing Vocals – JJ Whitefield*
Lead Vocals, Organ, Vibraphone – Marja Burchard
Mastered By – Kelly Hibbert
Producer, Mixed By – JJ Whitefield*
Recorded By, Mixed By – Chief Commander Krause*
Oh how I long for this album in vinyl format! Such smoothness. Such warmth. Such execution. This music begs to be taken along and woven into memories. Everyone I’ve shared this album with has loved it. The music speaks far and wide. Shouting out to a fellow follower, Brian Lehmann, for his excellent taste in music. If not for him, I likely would have never stumbled upon this absolute gem! Plinchmo Larduktin
Since discovering The Heliocentrics a few days ago, this album has been playing non-stop in my taxi. Awesome performance from all involved in putting this record together. x20spec
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I was on a train travelling to Seefeld in Austria and had nothing but the Alps to look over from the windows. This was a perfect compliment to the environment I was in Robert A Johnson